
Tuesday, December 2, 2025
Two Maiastra alumni joined forces to present Di Lorenzo's original violin concerto in Bremen.
Violinist and composer Salvatore Di Lorenzo, (Maiastra alumnus - July 2021), recently premiered his Violin Concerto No. 1, titled “The 20s”, in Bremen. The performance was conducted by Leander Kippenberg, who is also a Maiastra alumnus from January 2015. The work, commissioned and performed by Strings Unlimited Bremen, a semi-professional orchestra based in Bremen, highlights Di Lorenzo’s expertise as both a performer and composer.
Composed for violin, string orchestra, and percussion, the concerto draws upon a diverse range of early 20th-century musical styles, incorporating elements of minimalism, post-romanticism, and folk traditions. The piece was composed primarily during the summer of 2024, a period marked by Di Lorenzo’s extensive travels across Germany, Hungary, Turkey, Italy, and Switzerland. Reflecting on the process, Di Lorenzo notes:
“…I spent much of my time in the coastal regions of Sicily and Turkey, where I found the space I needed for reflection and, of course, composition. Throughout this work, and across its movements, we can feel the way I connect reflection with the nature of the Mediterranean Sea and the way that inspires my composition.”
Regarding the title, Di Lorenzo explains, "The 20s’ serves as a play on words, referencing both the influence of the 1920s and my experience composing at age 21 in the current decade. I wanted it to feel like a fun, light, yet substantial journey; reimagining the violin concerto as something imaginative and integrative, with the violin guiding the orchestra through unfamiliar places and sounds, all through the language of new music.”
Each movement of the concerto offers a distinct character, unified by a common energy and spirit. The work reflects Di Lorenzo’s engagement with the dynamic relationship between tradition and innovation, as well as the intersection of composition and performance.
Looking forward, Salvatore Di Lorenzo aims to present the concerto to broader audiences, including a UK premiere, and to further develop projects that combine his interests in composition and performance.
To listen to the premiere in Bremen, follow the link below: